Scott Johnson & Ethan Jackson

If you haven’t already, you all need to check out the new work up on all the gallery spaces. Julie Puma’s Early Onset is in the upstairs Rude Gallery, and Ethan Jackson & Scott Johnson’s Light Drift is in both the Philip J Steele Gallery and the Rotunda.

We will be having an interview with Julie Puma about her show.

The show I’ve personally become obsessed with is the Camera Obscura in the Rotunda. Maybe it’s a little biased that I, as a Photo Major, would love the camera related show but… have you seen it? It’s so beautiful. These guys did a great job in bringing in the atmosphere that the JCRS patients would’ve seen from the room. You get to experience what it was like in their shoes, for what was possibly their last few months of life.

On the night of the opening Ian Cooke filled the room with the sounds of cello and voice. The music aspect really helped bring the show together. If you do get a chance to see the show, have someone come that knows how to play the piano. You’ll see what we mean.

There was one chair in the middle of the room. When you sit in it you can allow yourself to experience what the patients experience. I had a hard time with this.

After the sun set, the eeriness I have felt on this campus before came through.  Knowing the background of the school and what has happened, what these people suffered through in this building and on this site in general. What happens for them when the sun disappeared? One can get lost in the beauty of our campus, what happened every night when it was no longer visible? I didn’t believe I could handle the true emotions that followed those thoughts so when I decided to finally leave the room. Those patients were strong human beings.

I don’t want to ruin the magic entirely… that said, you should all check out this show. Highly recommended.

and please check out Ian Cooke’s music.

http://www.last.fm/music/Ian+Cooke

- Alejandra Reyes

RMCAD | Visiting Artist Scholar Program 12/03/2010 | Scott Johnson & Ethan Jackson

Friday, December 3, 2010

RMCAD welcomes artists Scott Johnson and Ethan Jackson for the third installment of our Public Lecture Series, brought to you by the VASD Program. They will give a public lecture at 6:00 pm in the Mary Harris Auditorium on Friday, December 3.

 

In their lecture, "Converging Parallels," Jackson and Johnson will address the work in their exhibition, Light | Drift and their history of shared interests. They will provide visual and historical context for key aspects of the works in the show and present important works from past years of parallel production. Their discussion will include ideas of vision and representation, art function and practice, and relationships to meaning and rationality. Jackson and Johnson will also address the collaborative process in present and previous works.

 

Ethan Jackson is a visual artist working in optical installation, lens-based imagery, and photographic media. His current projects are camera obscura based transformations of architectural space into illuminated, contemplative environments. Other works deal with aspects of landscape representation and the notion of place; illusions of space from painting to lens-based representation; themes of violence, mortality and morality in vernacular imagery. He attended the University of Colorado at Boulder and Williams College. He is based in Portland, Oregon. Visit his website at: ethanjackson.net.

 

Scott Johnson was born in 1969 and grew up in the Colorado Rockies. He obtained his BFA from The University of Colorado at Boulder and his MFA from Tyler School of Art in Philadelphia. His work as an artist has been informed by such as experiences as herding cows on the Navajo Reservation, traveling upon the Silk Road and living in Venice, Italy. He presently teaches at The Colorado College in Colorado Springs. Visit his website at: scjworks.com

The Gazette | Science and art meet in 'Hypothesis' By: T.D. MOBLEY-MARTINEZ August 26, 2010

"HYPOTHESIS: PROCESS IN SCIENCE AND ART"
When: Through Oct. 21
Where: Gallery of Contemporary Art 1420, University of Colorado at Colorado Springs, Centennial Hall, 1420 Austin Bluffs Parkway
Admission: Free; 255-3567 galleryuccs .org
Something else: The “Hypothesis” lecture series begins Sept. 30 with Scott Johnson and Curt Holder and continues on Oct. 7 with Erin Elder and Minette Church; Oct. 14 with Chris Coleman and Brandon Vogt; and Oct. 21 with Kim Abeles and Janel Owens.

 

Daisy McConnell covers her ears and winces.

In the cavernous Gallery of Contemporary Arts 1420, the fire alarm sounds like a train horn in a steel barrel.

When the test is done, McConnell walks into the middle of the University of Colorado at Colorado Springs gallery, which has been closed during an almost yearlong renovation of the science building. It’s about a week before the opening of “Hypothesis: Process in Science and Art” — her first exhibition since leaving Colorado College’s I.D.E.A. Space and becoming co-director here — and the space is disturbingly empty.

“I only gave these guys three months,” she said of the artists. “I was surprised they were willing to do it. I said, ‘Treat it as an experiment.’”

Artist Chris Coleman shuffles in from the back, hefting a skeletal machine about the size of a filing cabinet. Part Barbie’s Erector Set Dreamhouse, part “Lost in Space” prop, it dovetails with UCCS geography professor Brandon Vogt’s work on cloud-to-ground lightning strikes. In Coleman’s piece, two views of an “endless, generated landscape” are projected on the wall. Watch the projections or the machine itself — a close-up camera films strata of cut-out mountaintops as they roll on a conveyer belt. Clear balls hanging over the belt flash randomly — perhaps to suggest lightning strikes.

That’s the tantalizing proposition of this exhibition: Coleman, and artists Scott Johnson, Kim Abeles and Erin Elder paired with Vogt, and scientists Minette Church, Curt Holder, Janel Owens and David Weiss.

Some worked directly with the scientists. Some didn’t. In the end, the art was to riff, if not directly on the science, on an important thread of the researcher’s work. To represent the science, each piece will be accompanied by a brochure, sort of a road map through the scientist’s often highly complex and obtuse work.

McConnell talks about Abeles’ work, which relates to Owens’ research, as she walks over to a long, cream-color wall hung with 19 plates. On each is Abeles’ “smog portrait” of an American president. A quote reflecting each chief executive’s stance on environmental protection circles the plate in careful, gold cursive.

The process here is as important as the words and image: Her stencil of the famous face is coated with a chemical that darkens when exposed to pollution. To underline her point, ecologically friendly presidents spent less time on Abeles’ roof and, consequently, are lighter. Teddy Roosevelt’s and Jimmy Carter’s portraits, for instance, are far sketchier than, say, those of Calvin Coolidge and Ronald Reagan.

Some of Owens’ research focuses on the interaction between food components and environmental pollutants.

“All of the artists have some connection to or interest in science,” McConnell said. “To the experimental nature of it. That’s what interested me.”

She gestures to Johnson, who fiddles with five shiny, industrial spigots connected to copper lines that will run, Hot Wheels-track style, to the ceiling and to locations around the gallery. It’s one sliver of an ambitious project he’s conjured around Holder’s research on leaf water resistance and photosynthesis in cloud forests.

Water, Johnson explained, will drip onto a mirror-topped table that’s meant to suggest a lab table. At least, that’s what he’s thinking right now.

“You try things and see what happens,” said Johnson, who is also an art professor at Colorado College. “Often you don’t know what the work is until you’re done and you step back.”

GOCA | HYPOTHESIS

Hypothesis: a suggested explanation for a group of facts or phenomena, either accepted as a basis for further verification (working hypothesis) or accepted as likely to be true.

Hypothesis: Process in Science and Art is a multi-disciplinary exhibit and an experiment highlighting the connections between the scientific and artistic processes.

The hypothesis is the heart of the exhibit - positing that processes followed by artists and scientists have much in common. Hypothesis explores these scientific and artistic processes and is itself an experiment.

UCCS Anthropology, Chemistry, and Geography faculty are partnering with artists who have responded to the faculty's research and data in sculptural and video installations. Process is examined through both the faculty's research and the artist's finished work, bringing about greater understanding of the inherent connections between the scientific and creative processes.

Curated by Daisy McConnell, co-director of GOCA, the opening of Hypothesis coincides with the Grand Reopening of the Science Building (newly renamed "Centennial Hall") at UCCS. The Gallery of Contemporary Art at UCCS is located in the newly renovated Centennial Hall. Highlighting the interconnectedness of the arts and the sciences is the basis for this experimental exhibit.

HYPOTHESIS LECTURE SERIES

A series of lectures accompany the exhibit HYPOTHESIS:  Process in Science and Art. Each lecture will feature a faculty member and artist partnered in the exhibit speaking individually about their work, then coming together to discuss the interconnections between their respective processes.

September 30 HYDROPHOBICITY & INSTALLATION ART
Scott Johnson & Curt Holder

October 7 ARCHAEOLOGY & ADOBE
Erin Elder & Minette Church

October 14 LIGHTNING STRIKES & ENDLESS LANDSCAPES 
Chris Coleman & Brandon Vogt

October 21 TOXINS & DINNER PLATES
Kim Abeles & Janel Owens
 

ARTIST BIOS

Kim Abeles is an artist who crosses disciplines and media to explore and map the urban environment and chronicle broad social issues. The Smog Collector series brought her work to national and international attention in the art world, and mainstream sources such as Newsweek, National Public Radio, CBS Evening News, and The Wall Street Journal. A mid-career survey curated by Karen Moss and sponsored by the Fellows of Contemporary Art for the Santa Monica Museum, Kim Abeles: Encyclopedia Persona A-Z, toured the United States and South America, and was awarded the Best Regional Museum Show category for 1993-94 by the International Association of Art Critics. She continues to exhibit internationally, including recent projects in Vietnam, Thailand, Czech Republic, England, and China. She represented the U.S. in both the Fotografie Biennale Rotterdam and the Cultural Centre of Berchem in Antwerp. Her work is in numerous private and public collections including the Museum of Contemporary Art; United States Information Agency; Los Angeles County Museum of Art; Yucun Art Museum, Suzhou, China; Sandwell Community History and Archives, U.K.; and is archived in the library collections of the Museum of Modern Art and the Cooper-Hewitt Publication Design Collection of the Smithsonian. Abeles work was awarded grants from the Andy Warhol Foundation and Peter Norton Foundation and fellowships from J. Paul Getty Trust Fund for the Visual Arts, Pollack-Krasner Foundation, and the California Arts Council.

Chris Coleman received his BFA in his native state from West Virginia University in 2001 and his MFA from New York State University at Buffalo in 2003. A number of his undergraduate years were devoted to studying Mechanical Engineering, knowledge that he brings to bear in his installations. His work includes sculptures, performances and videos as well as interactive installations. Coleman was twice a participant in the VIPER Basel Festival in Switzerland and has had his work in exhibitions in Singapore, Finland, Sweden, Italy, Germany, France, China, the UK and Latvia. In North America he has had solo shows at Big Orbit in Buffalo NY, Pratt at Munson Williams Proctor in NY, and NE plus Ultra in Toronto as well as exhibitions at the Albright Knox in Buffalo NY, Spaces Gallery in Cleveland OH, and other shows in Minneapolis MN, Austin TX, and New York City to name a few. He currently resides in Denver, CO and is an Assistant Professor at the University of Denver.

Erin Elder is an independent curator, writer, and teacher interested in collaboration, sense of place, and expanded notions of culture. Her research has focused on Drop City, the first of the ‘60s era artist-built communes and she continues to research and write about the countercultural activities of the American Southwest. She has produced projects with a variety of institutions including Yerba Buena Center for the Arts, Württembergischer Kunstverein, Creative Time, the Center for Land Use Interpretation, and the University of Houston. In 2009, Erin co-founded PLAND, an off-the-grid residency program near Taos, New Mexico where she is now based. Erin holds dual self-designed BAs from Prescott College and an MA in Curatorial Practice from California College of the Arts. She enjoys hiking, hot springs, and building forts.

Scott Johnson was born in 1969 and grew up in the Colorado Rockies. He obtained his BFA from The University of Colorado at Boulder and his MFA from Tyler School of Art in Philadelphia. His work as an artist has been informed by such as experiences as herding cows on the Navajo Reservation, traveling upon the Silk Road and living in Venice, Italy. He presently teaches at The Colorado College in Colorado Springs.


FACULTY BIOS


Minette Church, PhD., Associate Professor of Anthropology is an anthropological archaeologist. Her research focus is on the nineteenth and early twentieth century United States West, where she explores Plains-Southwest interactions along the Santa Fe Trail, and the precedents for and ramifications of such interactions through time. She is particularly interested in archaeological expressions of gender, class, nationality, and ethnicity at several scales, from that of individual sites to cultural landscapes. She has pursued similar interests in western Belize, Central America, on Caste War era Maya village sites. Minette earned her B.A. in History and Anthropology in 1987, at the University of Colorado, Boulder. After three years of private sector archaeology on pre-Columbian sites across the west, she earned her M.A. in 1991, a Certificate in Museum Curatorship in 1992, and her Ph.D. 2001, all at the University of Pennsylvania.

Curt Holder, PhD., is Associate Professor of Geography at UCCS. Curt received his B.A. degree in geography from Clark University. After graduating from Clark, Curt developed an appreciation for the potential role of scientific knowledge in addressing community needs when he served as a Peace Corps Volunteer in Guatemala (1988-1990). Curt worked on reforestation, soil conservation, and watershed management projects in Peace Corps, and following a two-year service, Curt received a M.A. degree in geography from the University of Georgia. Curt returned to Clark University for a Ph.D. in geography. Curt works at the nexus of hydrology, biogeography, and human-environment interactions in tropical montane cloud forests of the Sierra de las Minas Biosphere Reserve in Guatemala. Results from his studies have contributed to the theory of vegetation influences on watershed management by addressing the significance of fog precipitation in hydrological models. His current research focuses on three topical areas, including vegetation-atmosphere processes in tropical montane cloud forests, foliar biogeography and ecology, and human influences on forest change in Guatemala.

Curt is currently working on two major research projects: the first project was funded by the National Science Foundation and examines the significance of leaf water repellency, leaf optical properties, and photosynthesis of cloud forest and non-cloud forest species in order to expand existing hydrological and ecophysiological models for cloud forests. The objectives of this study are to define the spatial patterns of leaf water repellency between different habitats and to assess its importance in the overall water balance in cloud forests. With a clearer understanding of the interactive responses between leaf water repellency, gas exchange, and leaf optical properties among dominant species at a site and between sites, better models of forest hydrology processes can be formulated that incorporate leaf surface variables. As well as conducting extensive fieldwork on tropical ecosystems, Curt's research experience also includes investigations of temperate forests. As a trained forest hydrologist and biogeographer, he relies on a multidisciplinary approach to address research questions that often requires a research team from various disciplines to understand relationships between social and physical processes.

Janel Owens, PhD., is Assistant Professor of Chemistry at UCCS. Dr. Owens graduated with a B.S. in Chemistry with Honors from Southwestern University, a small liberal arts college in central Texas, in 2003, and a PhD in 2007 from the University of California at Davis where she was part of the Agricultural and Environmental Chemistry graduate group. Postdoctoral research was conducted in a position at Lawrence Livermore National Laboratory. Current research interests include the development of quantitative methods for the analysis of pharmaceuticals, personal care products, and nanomaterials in foods and environmentally relevant samples. Of particular interest is the interaction and effect of food components (such as polyphenolics or similar antioxidants) on the stability and bioavailability of such environmental pollutants.

Brandon Vogt, PhD., is Assistant Professor of Geography at UCCS. He received his BS in resource management from the University of Missouri in 1992, his MA and PhD in Geography from Arizona State University in 2002. His current research is related to 1) sandstone weathering in southeast Colorado, 2) mapping Late Pleistocene glacial landforms on Pikes Peak, 3) pedagogy for classroom and field studies curricula in physical geography, and 4) cloud-to-ground lightning interactions with topographic high points in southeast Colorado.

David J. Weiss, PhD., is Associate Professor of Analytical Chemistry at UCCS. He received his B.S. in 1992 from the University of California, Riverside and his Ph.D. in 1997, from the University of Kansas. Postdoctoral research was conducted as a Fellow at the University of Kansas, 1997-2000. Dr. Weiss' research involves the development of enzyme based biosensors for diagnosis and monitoring diseases such as PKU, and developing new capillary electrophoresis methods for the analysis of pharmaceuticals, nutraceuticals, and chemical warfare agents.